2025-03-12, 10:27
![[Kép: 6dc618328ca4bb74673c0c340e5615e8.webp]](https://i124.fastpic.org/big/2025/0312/e8/6dc618328ca4bb74673c0c340e5615e8.webp)
English | ISBN: 1517903904 | 2017 | 368 pages | AZW3 | 583 KB
I do not follow ideas, I stumble into stories or into people; and I know that this is so big, I have to make a film. Very often, films come like uninvited guests, like burglars in the middle of the night. They are in your kitchen; something is stirring, you wake up at 3 a.m. and all of a sudden they come wildly swinging at you.
When I write a screenplay, I write it as if I have the whole film in front of my eyes. Then it is very easy for me, and I can write very, very fast. It is almost like copying. But of course sometimes I push myself; I read myself into a frenzy of poetry, reading Chinese poets of the eighth and ninth century, reading old Icelandic poetry, reading some of the finest German poets like Hölderlin. All of this has absolutely nothing to do with the idea of my film, but I work myself up into this kind of frenzy of high-caliber language and concepts and beauty.
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